The Tempest is a play by William Shakespeare, probably written in 1610–11, although some researchers have argued for an earlier dating. The play's protagonist is the banished sorcerer Prospero, rightful Duke of Milan, who initially uses his magical powers to punish his enemies when he raises a tempest that drives them ashore. The entire play takes place on an island under his control whose native inhabitants, Ariel and Caliban, respectively aid or hinder his work. While listed as a comedy when it was initially published in the First Folio of 1623, many modern editors have since re-labeled the play as one of Shakespeare's late romances.
No obvious single source has been found from which Shakespeare may have derived his plot. However, the play does seem to draw on several then-contemporary accounts of shipwrecks in the New World, as well as the works of Michel de Montaigne and Ovid's Metamorphoses. The plays basic structure reflects that of the then-popular Italian com media dell'arte. It is one of two Shakespearean plays which follow the neoclassical three unities (the other is The Comedy of Errors). Around the 1950s and 60s, The Tempest attracted much attention from post-colonial critics for its portrayal of Ariel's and Caliban's reactions to foreign control of their island.
It did not attract a significant amount of attention before the closing of the theatres in 1642, and after the Restoration it attained popularity only in adapted versions. Theatre productions began to reinstate the original Shakespearean text in the mid-19th century, and, in the 20Th century, critics and scholars undertook a significant re-appraisal of the plays value, to the extent that it is now considered to be one of Shakespeare's greatest works.
No obvious single source has been found from which Shakespeare may have derived his plot. However, the play does seem to draw on several then-contemporary accounts of shipwrecks in the New World, as well as the works of Michel de Montaigne and Ovid's Metamorphoses. The plays basic structure reflects that of the then-popular Italian com media dell'arte. It is one of two Shakespearean plays which follow the neoclassical three unities (the other is The Comedy of Errors). Around the 1950s and 60s, The Tempest attracted much attention from post-colonial critics for its portrayal of Ariel's and Caliban's reactions to foreign control of their island.
It did not attract a significant amount of attention before the closing of the theatres in 1642, and after the Restoration it attained popularity only in adapted versions. Theatre productions began to reinstate the original Shakespearean text in the mid-19th century, and, in the 20Th century, critics and scholars undertook a significant re-appraisal of the plays value, to the extent that it is now considered to be one of Shakespeare's greatest works.
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